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photo by Mehmet Tetik
Langenbach In Istanbul, Turkey, 2000
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Randolph Langenbach first became known as a documentary photographer and writer because of his work documenting the textile mill towns of New England and landscapes of
the Industrial Revolution in Great Britain. His groundbreaking work on the Amoskeag Mills in
Manchester N.H. resulted in a series of exhibitions and the book, Amoskeag, Life and
Work in an American Factory City, co-authored with Tamara Hareven, published in 1978 and still in
print. Later, his exhibition in England at the Royal Institute of British Architects, and the
companion book Satanic Mills, published by SAVE Britain’s Heritage, contributed to changes in
British government policy away
from systematic demolition of historic 19th Century textile mills.
Langenbach’s educational background is both in Architecture and in Building Conservation, with
degrees from Harvard College and Harvard Graduate School of Design in the United States and
the Institute of Advanced Architectural Studies in York, England. During the time of his independent work on the textile mill
towns, he worked as a consultant in historic preservation planning and design in both New England
and the San Francisco Bay Area, which included work on the National Historical Park in the
planned industrial town of Lowell, Massachusetts, among other projects.
From 1984 to 1991, he was Assistant Professor of Architecture at the University of California,
Berkeley where he began his research project to investigate the seismic vulnerability and
methodologies for the strengthening of historic masonry buildings. In 1992, he began work for the Federal Emergency Management Agency (FEMA) as a consultant on the Loma Prieta Earthquake recovery
operations in California, and later moved to FEMA Headquarters in Washington DC as a Senior
Analyst.
In 2002, he was awarded the National Endowment for the Arts Rome Prize Fellowship in Historic
Preservation at the American Academy in Rome for his international research and writing on
traditional construction in earthquake areas. While at the American Academy, he undertook research
on the damage and recovery operations after the earthquake in Molise, Italy, an earthquake that
occurred near the beginning of his year at the Academy, and also received a grant from the
Earthquake Engineering Research Institute (EERI) to continue research in Turkey. Also, while at the
Academy, he produced the slide/video The Piranesi Project, A Stratigraphy of Views of Rome which
has achieved special recognition from the City of Rome Department of City Planning.
His research on the conservation of masonry buildings in earthquake areas was first inspired by his
work on the vast brick and stone New England textile factories, but this work has been focused
primarily on buildings of traditional construction in Kashmir, India, Yugoslavia, Greece, and
Central America. After suffering the devastating setback of the loss of almost all of his prior
work as a writer and photographer when his home was destroyed in the 1991 Oakland Firestorm, he
resumed this project with the investigation of the traditional Ottoman construction that survived
the two 1999 earthquakes in Turkey that devastated thousands of reinforced concrete buildings of
more recent vintage.
Since then, he has served as a consultant on this subject to UNESCO in Turkey, Georgia, and India;
to the World Monuments Fund and UNESCO in Bam, Iran; to UN-HABITAT in Pakistan, and to the
Turquoise Mountain Foundation in Afghanistan. During these assignments, he has documented the damage to historical structures in India from the Bhuj (Gujarat) Earthquake of 2001, the 2002 earthquake in Tbilisi, Georgia, the 2003 Bam, Iran earthquake, and the 2005
earthquake in Kashmir. He has been an invited keynote speaker at over a dozen conferences around
the world, and his work has recently influenced post-disaster government policy in
Pakistan.
He has published numerous works on the subject of traditional earthquake resistant construction,
and, in 2009, UNESCO published his book Don’t Tear It Down! Preserving the Earthquake
Resistant Vernacular Architecture of Kashmir. This book has been re-published in the USA and the
UK and is now in print. His work can be found on the web at www.conservationtech.com and at
www.traditional-is-modern.net.
<click here for Randolph Langenbach Art Notes>
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